18‑inch diameter — larger size gives a lower pitch compared to the 16‑inch, with more wash/sustain and greater volume potential.

Brass construction — likely using a standard brass alloy, giving brighter initial attack, less complexity of overtones, faster decay than premium bronze cymbals.

Medium or “medium‑thin” thickness — strikes a balance between responsiveness (thinner → easier to “crash”) and projection (thicker → louder, more robust).

Lathed or partially lathed surface — grooves on the top help produce shimmering wash and contribute to tonal character; bottom maybe less detailed.

Traditional finish (non mirror, possibly raw or lightly polished) — helps the cymbal “cut” in a band/live setting in a sharper way.

Moderate bell size — the bell won’t dominate but enough to provide some clarity / articulation when struck.

Usage suited for practice / beginner‑intermediate players or as a crash‑ride type / effect cymbal in setups where volume and impact matter more than subtle tonal nuance.